NYT Critique: Flying with Shrieking Infants; or THE PARENT GOODY-BAG

Screen Shot 2016-08-11 at 10.40.31 AM
Screenshot of the article referenced below: “Flying with Shrieking Children? Give Your Neighbors a Goody Bag” by Damon Darlin; Illustration by Thomas Pitilli

We all saw it a year or two ago: the viral picture of the sweet family of twins who made everyone on their flight a goody bag complete with drink ticket and precious note. I admit, at first I loved it. How generous! I thought. And then I thought again. While that family went above and beyond, and God bless them, my recent experiences traveling with an infant turned toddler showed me how backward the social expectation is for who needs to be appeased in the public sphere. At the moment, it seems that if you’re insensitive enough to have kids and then inconsiderate enough to drag them out into public and onto a contained prison tube up in the air, you should at least have the decency to make all the supposedly self-sufficient adults around you feel better for the few hours that their feathers may be ruffled by the activity you indulge in 24 hours a day. That’s right. The individual already responsible for caring for 2-3+ more people than themselves has now been deemed by society (including a New York Times economy page contributor – more on him later) as also responsible for the happiness of 200-300+ more people. This is backwards, and puts the burden of care on the one-caring-for-many instead of the many caring only for one. It’s bad economics and a perspective that needs revamping.

Speaking of economics, I’d like to thank a recent (Aug. 6, 2016) New York Times article by Damon Darlin (precious) for finally providing the counter-language I needed to finish this blog piece I’ve been sitting on for some time – since about February of 2015. (I quote the NYT article below for easy reading, but if you want the deepest character context, or a good, hardy chuckle for you parents, read/glance through it here. It’s short. But then come back. Definitely come back). Because of my work, I travel a lot. Because of my parent status, it’s almost 100% of the time with my kid, starting when she was 5 weeks old until now – almost old enough to require her own ticket for hundreds of dollars. First, let me say I respect the author’s passion for “social capital” and strongly agree with him that there should be some recognition of the need for it when children are on board the plane.

We just disagree whose responsibility it is to build this capital.

Tiny Disclaimer: If you’re a parent who has done or wants to do the goody-bag, more power to you. YOU do YOU. I’m all for it if it’s something you feel can help your flight go in peace, but don’t let other passengers or entitled arguments make you feel like you owe the world something in addition to the work I know you already do to get on and make it through that flight. You good already, yeah?

Let’s take a look at a excerpt from the newspaper article, arguing almost to the point of necessity for parents to give goody bags to the other passengers:

“Confined in a tight space for only a short time, never to see most of the passengers again, you need the bag to build social capital fast. You may disparage this practice as a cheap bribe, grease or even hush money. But it is much more high-minded — and common. I’ll admit that I take this pro-bag position because I take seriously the small pleasures I can find in airline travel.”

AHA AHAHAA AHAHAHAHHAHAHAHHAHAAAAA I DIE!
LOSING MAH SHIZ LOL OMG CRYLAUGHEMOJI!!!!

OK. Yes, sure, I agree with him. I just think he has it bass-ackwards. Let’s rip this garbage apart with a point by point “Dear Darlin” letter, shall we:

Dear Darlin,

Thank you for your contribution to the economic view in the New York Times on Flying with a Shrieking Infant. I’d like to point out some problematic points within your arguments, or rather, entire worldview.

1. Signaling, and who should be doing it.

“But you, the harried parent, use it to do what economists call signaling. You are letting the recipients know you care about their happiness, whether you really do or not.”

First, be at ease. I do care, Darlin. I really, really do. I care about you. I also care about myself. I also care about my child – but I care about that list in reverse order when flying on a plane. And it’s not just because I’m a good parent – I am – but it’s also because of the economic principle called the “spillover effect.” If I’m putting effort into caring for my child, I will be more at peace on the flight. If my child is better cared for and I’m at peace, you will have a happier experience. The spillover effect, however, works both ways – it can be negative. If I spend my time at home making 172 goody bags instead of getting sleep, prepping my infant/toddler’s own goody bag (also known as a diaper/everything carry-on), then we come underprepared, I’m distracted from her, worried about your opinions, and all you get to show for it is this t-shirt (er, ear plugs). I usually feel pretty put-together getting on the plane, albeit hands-full, but I am not – especially if “harried” – packing you and 171 of your friends snacks. This is not your school chum’s 1st grade birthday party. There are no party favors. I have snacks for my baby and for me, and our bag is maxed out. Any more items and it won’t fit under “the seat in front” as you so clearly pointed out was the airline code (you write very well, but maybe you should consider flight attending?). I hear there are free sodas on board, though, so enjoy!

I know it’s crummy, but it’s part of being an adult: you don’t get rewards just for showing up, and you don’t get gold stars by your name for knowing the rules or playing hall (plane) monitor. You do, however, get expected to behave decently and maturely in difficult situations, so perhaps your time and energy is better spent thinking how to do that with improvement.

The onus is not on parents to do the signaling, if it must happen on these short, shared expeditions. It is on the solo passengers, being at the advantage of time, space, focus, arms, who carry the burden of showing they “care.” While you think the goody bag shows the parent cares about someone else’s happiness, you fail to realize that the “harried parent” is already consumed with caring about someone else’s happiness. Their traveling child’s. By your terms of someone needing to signal on this flight that the inconvenienced are cared for, every other solo passenger should express how they want the harried parent to know the solo-flyers care, “whether [they] really do or not.” It’s simple economics in this sense: the parent is more inconvenienced than the third party witness, and the resources for expending energy go the direction of solo passenger (abundance) to parent (depletion), not the other way around. What, then, do I suggest? So glad you asked: at the end of this tape you will find the incredibly manageable case for THE PARENT GOODY BAG.* And in the meantime, solo passengers and Darlin included, if you can’t be adult enough to keep to yourself, start signaling. You can even offer a simple, “you got this, mom!” or “can I help you get that book?” Which leads us to point #2…

*Moms, dads: this is not your job.
Solo passengers see bottom of letter for how to construct the parent goody-bag.

2. Social Capital, and who should be building it.

“You set out to build social capital in so many other circumstances every day. Every gift you give accumulates it.”

Great point. But, again, the responsibility isn’t on the parents who boarded with multiple bodies to worry about, bro. The social capital responsibility is on the adults who came on board with only themselves to worry about (please read: You), even if all you offer is your ability to internally manage your discomfort. If you expect a 3-6 year old to have the impulse control to not let a leg fly and kick your seat, I expect a 36 year to be bumped in the back of a cushioned arm chair a few times and have the impulse control not to fall deeply into the narrative that he’s the tragic hero and the world owes him treats. See the diff?

Let’s be honest, the parents on your flight are already contributing “social capital” by investing in the tiny people who will one day grow into adults and hopefully write more conscientious New York Times articles. Everyone else on the plane can sudoku or sleep, which means free hands everywhere else abound. In other words, if you really want to see the inconvenienced catered to, you help out.

The adults who came on board without so much as a briefcase and bad attitude, I guarantee you, had more time getting ready and planning for this trip, so they get to put in the extra effort.

I loved your example of someone bringing in treats as a gift so there are fewer hard feelings in the case that they need to leave work early. What you don’t get, however, is that in the case of plane travel, you’re the one “leaving early.” You’re the one that gets to grab your briefcase/backpack/napkin with notes and take off as soon as the seatbelt signal dings everyone into freedom. You’re the one that no matter how closely you are seated beside the crying baby, you are never the one sat on by the crying baby. If we’re talking about economy of “peace,” and defining it by the absence of child activity on a plane, you will always have an abundance of peace over the parents immersed in the live-wire events. By your own suggestion, then, you really should consider baking all the parents cookies so they don’t resent your ability to climb over them, grab your bag with free hands, and jet while they are left behind to care for balancing carry-ons and extra bodies of people safely. I fully embrace this cookie recommendation and suggest you break out the flour next time you fly for some serious chocolate-chip-oatmeal raisin to give out, so we don’t resent you for yapping through the flight about arm-rest territory, knee defenders, and the proper way to signal when exiting to the bathroom on a Tuesday at high tide.

3. Taking time, and who’s already doing it.

“It might take time, of course. Time really is not something you have much of on an airplane, even on a long flight. Social capital is most effective when there is a network of connections to people — like an office or a neighborhood. You build social capital with co-workers and neighbors over long periods. You have months or even years. No time. No network. Just anonymous people jostling. The transience of a plane is also why people tend to be so obnoxious on it.”

If this is the your way of even subconsciously explaining why you become obnoxious on planes and turn into someone who “who strongly believe[s] we have a right to defend ourselves against rude passengers like seat recliners,” then I accept it also as your subconscious apology for your luxury of priorities and crusading behavior and encourage you to fight the good fight if it gets you through the flight. In the meantime, some advice: don’t use the “T” word with parents unless you are either their high-paying boss discussing overtime rewards or using it in the phrase “take your time.” Any other use, tread lightly so your ignorance doesn’t make you a fool. Let’s break down something for you topically in regard to the economy of time. Once again, you use a phrase – in this case, “It takes time” – in context of additional work the parent needs to be doing. Allow me to explain why this is an insensitive use of language. Before the flight event of “anonymous people jostling” even takes place, the parent’s contribution that you see so little of “takes [quite a bit of] time,” including planning, researching, possibly paying additional seats for, packing, waking, dressing, carrying/leading, pleasing, feeding, teaching, comforting, entertaining, cleaning additional human beings, the ones you saw shuffle on to this flight filled with the “tiny pleasures” you feel so robbed of.

The goody-bag movement itself comes from parents contributing to and scouring the internet for immeasurable research on the best way to fly with kids that will make the kid, parent, and other passengers happy. After digging up information, recommendations, creative ideas, we then pack extra, pack smarter, carry well, schedule, and work to fulfill the ideal flight as much as possible. We are indeed already “tak[ing] time” in preparing for a positive flight because we care and know you’re there, Darlin. Meanwhile, you and your solo passengers only research your boarding time and the destination weather. I don’t care, quite frankly – I love traveling with my baby and seeing her eyes light up as clouds meet her face at the window and explaining to her why she can’t touch the white beehive-do peeking up over the seat in front of us, and more power to you and your fast pace through security, (taking off your shoes is tough – talk about time! but so is taking off your shoes, carrier, baby bag, and getting stopped 100% of the time because of some baby lotion or bottle that flares up on the screen. We take it in stride. Because we know it “takes time.”) But I do have a problem when you demand more of what’s already being given generously, especially when the demands comes out of ignorance or a self-centric worldview. That’s not a socio-economic peace problem. That’s a paradigm problem.

4. Baby-Free Zone, and who’s all for it.

“create a child zone of three, maybe four seats away. Every seat outside that zone costs more.”

All for it, actually! Yay! See? Compromise, collaborate. Rah-rah. I don’t mind at all the suggestion that airlines designate a baby-free zone. It usually keeps parents from having to babysit not only their own children but the large (wo)man-child they never birthed or adopted who may board with a pouting bad attitude and poor chaos management who sit next to them making mental notes for their NYT airline economics piece. Maybe the flight attendant can keep crayons on board to entertain hard-to-please adults in the meantime? They already provide cross-words and sudoku. You’d think a journalist would like that. I guess some adults are so hard to keep pre-occupied when they fly. But yes, I love flying with my kid and being surrounded by other families. Because we get it. And in the kid zone, a kid can be a kid. And an adult, an adult. Which leads us to harsh truth #5…

5. Shrieking Baby on Board, and who – really – is it.

“I’ll admit that I take this pro-bag position…Creating a system that prevents fighting is of great comfort.”

Your description of both your tactic position and reason are a perfect match for how any parent deals with not a child and an adult but two children. Of course you think team goody-bag has it right. Because like any other child unfortunately spoiled by circumstance or lack of instruction, when you’re bothered or entitled you’re going to demand treats. And why? You want treats because another kid is bugging you. Not for the treats themselves, mind you, (“Certainly the goody bag is essentially worthless”), but for the attention, the affection…from the mommy. You want the appeasement and attention…from the mommy. You want a goody-bag…to know that you are cared-for. By the mommy. Darlin, this is classic kid behavior. While it may make sense in the economical exchange of favors in the business world or neighboring homes of adults sharing snow responsibilities, you fail to realize these are examples of peer or service behavior. You have just inserted yourself in a situation where you are demanding peer treatment to or similar service as…..a child. This places your emotional management level at the age of 5-7 years, equivalent with shrieks of “his seatbelt is touching my leg” coming from the car backseat in hopes of getting a lollipop or hearing the mother scold the offending child as proof that the mom cares about the shrieking child’s own sense of justice even though it’s absurd and founded in temporary discomfort and inability to yet consider others, not to mention that meanwhile mom herself is being the adult and likely more preoccupied with safely driving a four wheel vehicle and keeping everyone alive.

I get it. You’re upset. But since I assume you’re also potty trained, I’m not quite sure where to begin assessing the source of your inability to tolerate this discomfort except you have not yet registered that there are other people in this world with needs greater than your own, some with limited experience with confined spaces due to their recent arrival on earth, that you must – very briefly – share a community with. In other words, you may find an increase in comfort with adjusting your expectation of the outside world. What do you think flying with a community looks like? All adults? That’s a disturbing, privileged perspective. Maybe that’s what’s wetting your diaper. Again, being the one with free hands, you can wipe it.

The title announces the topic of “Flying with Shrieking Children” but applies better to the mindset of the argument made throughout the piece. It reads like a high-vocabulary, well-grammared letter from little Johnny on “why I deserve my own room now that I’m seven and a half.” The effort is adorable, but the entitlement understandable only when you’re actually seven and a half. Ok, ok, I’ll throw you a bone. Let’s say you do get stuck on a flight right next to an 8 year old FLIPPING OUT because the iPad battery died and the mom just closes her eyes because she can’t even right now, or worse – is wifi texting and ignoring him. What do you do? For starters, we can both agree that this child would benefit from acknowledging three simple truths: You’re ok; This is temporary; There are other people on this plane. Learning these lessons would bring better behavior and his maturity closer to becoming more civilized, more adult. But that’s where adult responsibility to also embrace these behaviors comes in. If you can’t also recognize that you’re ok, this is temporary, and there are other people on this plane, then we get to lump you in with the tantrum. That’s how it works. Because You’re an adult; You’re ok; This is temporary; There are other people on this plane. Offer your iPad or Keep Calm and Carry On.

Take a look at the picture at the top of your article (that I’ve included in the screenshot above). Do you know what that mom’s free hand should be doing? Not handing you a goody bag for one, because you’re not the one in greatest discomfort. Look at that baby’s face. It’s screaming. If all you see is an external force acting negatively in your space, you’re missing the fact that the baby is a human being with enough discomfort, confusion, and need to cry. That mom’s extra hand belongs with the baby – feeding, comforting, and caring for him or her in their own space. That is the path to the peace you so desperately crave on this short flight. Ask not what your flight passengers can do for you, ask what you can do for your flight passengers. Instead of bemoaning your lack of appeasement gift while commending yourself for proper arm-rest use, at the end of a flight with a crying baby, did you ever consider asking the parent if there’s a bag in the overhead you can get down for them? Your fight for your right as a seat passenger may actually be a distraction to the real need around you. Remember, all crusades claim to be righteous, but most are just about a single entity fighting for territory at the cost of the defenseless, over-taxed, or under-resourced.

When you’re the solo passenger who happens to be immersed in the chaos of tears or leg flurries, be comforted. It’s temporary. Someone else is further immersed than you – the families. And if you recognize your advantaged position and truly want to see social capital built, might I recommend you offer a goody bag? My kid loves to draw and I love chocolate, if that helps.

So the next “aw-whatta-sweet-passenger” or “flying with babies” article I read better feature goody bags made by some prepared solo passenger just in case parents with children are on their plane. Acceptable items include:

  • Restaurant gift card
  • Drink ticket(s)
  • Gold coins
  • Hand wipes (baby friendly organic pls)
  • Crayons + small notepad
  • Chocolate
  • Your note could be brief: “Well done, madam/sir.” “Carry On and Well Done.” “We were all babies once.” “Ignore anyone who gives you grief, they’re the big babies! LOL! *smiley emoji*.”

With love, and care, and time, and space and peace,

Auditioning (Traveling) Mom

seasoned flyers
Mid-Flight. Hands full. Heart Happy.

For the parents reading this, I’ve included here a letter you can print out for your own pouty passengers or anyone you think could use the enlightenment! (And a short note for you at the very end). It’s time to get traveling with baby tips out into the world – and into those groups who don’t have babies to travel with. Presenting:

————-

How to Travel with an Infant (Who Isn’t Yours)

Being the good-deeds citizen that I am, I intend to correct the imbalance of expectation by providing the internet with [insert trumpet flourish here]:

Yay! Yet Another List of Helpful Hints for Traveling with an Infant.

However, this list isn’t for the parents. Ooooh, no. There are millions of those and I’m sure you’ve printed, memorized, failed, succeeded in following enough “make your prep easier” lists by this point. Blah blah blah. Noooo nononononono no. THIS helpful travel list is for EVERYONE ELSE. Eeeeeeveryone ELSE who doesn’t have a precious bundle to bundle to the gate on time. All those solo flyers who may be traveling WITH you and your amazing precious pumpkin.

Feel free to print out and share with strangers at your flight gate, family members, airport personel, etc.

Basically anyone you feel may need help preparing themselves to make this flight with you more manageable – and if there are goodies that they need, they can put on their big kid pants and get it for themselves. At this point, I think the parents have done plenty to make traveling with children as doable as possible. Now, it’s everyone else’s turn to step it up if they want to revolutionize their own travel experience.

How to Travel With An Infant (Who Isn’t Yours)
Difficulty Level: Light
Skill Level Equivalent: Grocery List
Soundtrack: We’re All In This Together – High School Musical (1)

Dear Sir or Madam Uneasy to Travel With An Infant Who Isn’t Yours,

This is not a helpful handout for kidnapping. The following helpful tips are to provide a plan of action for any time you line up to get on your plane and see that “pre-board” section fill with tiny humans. Pre-board?? They’re so lucky, right?! Let’s review:

Who’s Got All the Luck…
That family is lucky to pre-board, you say? Here’s the deal. They’ve earned every second of that pre-board. While you were patting yourself on the back for getting out on time this morning with matching shoes and coffee in your thermos, they were praying that the dog would walk himself, the last outfit of the day wouldn’t get pooped on – at least until after the flight – and no one would notice they still wore their pajama top under that hoodie.

Cup of coffee? They’re lucky to get a gulp of air in between sleeping through the first alarm and moving 3+ bodies out the door packed and dressed (enough) to fly. “Grandma’s got a nearby Wal-Mart” is the mantra of the morning as the mental checklist of things they forgot to pack last night flies through their head while they strap their hungry baby into a full-body car seat harness to make the prayerful hyper-drive to their departure gate.

But you have to sit next to a baby. You poor thermos-carrying single traveler. I weep for you. My tears are the first of this flight you have to deal with. Mine. Tears and tears and wails dripping. With laughter. Cry-laughter.

Allow me to make a suggestion that will reduce crying – at lease mine. A more appropriate response when seeing a family with an infant/kid pre-boarding would be a moment of silence, hats off, filled with admiration, and a generous, bold slow-clap. Family has more than one kid? This special event calls for nothing less than a baritone or throaty mezzo to begin a passionate, slightly hushed but insistent chorus of “Wind Beneath My Wings” in the family’s direction as they board. Tenor and soprano passengers should join immediately in a chorus of “ooohs” to put those trembling high notes to use. Keep it light, though. They’ve heard enough shrieking already today. An impromptu sway side-to-side as a waiting group is also acceptable.

“But they look happy.” You say, “this family looks dressed. They don’t even look as stressed as I feel or concerned at all that we’re all about to share a tiny space. If they can smile, I can be annoyed they brought their recently-made human.” I’ve seen Olympians smile on the podium, that doesn’t mean their recent victory didn’t come at extraordinary sacrifice to accomplish unimaginable feat and deserves less than my utmost respect. It also doesn’t mean I get a portion of their cereal box deal because I’m more miserable than they are while I sit alone on my couch. All rules of respect apply, even to the put-together families who look happy to be there.

What to pack for your own self in your travel with an infant (who isn’t yours):

  • Headphones
  • Crayons
  • Snacks
  • Neck pillow
  • Hoodie
  • A Good Attitude
  • Human Compassion
  • The family’s love and gratitude as they focus on their babies

I promise you these items may seem little, but like with any goody bag (that with this list you can provide for yourself!), they can go a long way.

Love,
Traveling Parents


BONUS

My note to parents:

In my time on planes and trains, I have sat next to some amazing passengers. Cramped flights brought other moms and grandmoms, bachelors, and dudes, and all types of people to my neighboring seats as I embraced and balanced and fed and comforted and read to my lap-child. Some of these awesome fellow passengers had kid experience, some didn’t, but all the awesome ones expressed nothing to me but compassion and humor in the midst of the baby-zone. Some even helped in small ways like offer their tray as I moved to catch a book and needed to shift my drink to reach it, rang for the flight attendant when the pretzel bag exploded, or simply offered a chuckle and “reminds me of my grandson” when my toddler climbed onto the top of my head and laughed hysterically while she perched and clung to my scalp. That’s the final reason I know I can criticize the goody-bag demand presented by solo passengers. Because it’s not necessary. It comes from a self-centered perspective that benefits no one. I’ve experienced compassionate passengers, been one myself, and therefor know it to be incredibly possible.

So fly safely. Enjoy. And focus on your babies. We all want their happiness, their happiness is everyone’s happiness. And at the end of the day, they’re the only ones who deserve your goodies.

 

What She Looks Like: Elizabeth Barrett Groth, Designer

I remember watching Liz perform at the Yale School Cabaret, stunned by her acting ability. She was in the design program of the graduate school and created some of my favorite work, but here she had expanded herself even further – she had proposed and starred in her own adaptation at the black box theater. A talented, fierce lady and friend, years later when she told me she was pregnant, my admiration lit up yet again. Her creativity and expansion of her life knows no bounds, and her honesty in the crucial and trial-by-fire transition of newborn stage reveals the generosity of her person.

One of my favorite qualities about Liz is the multi-generational aspect to artists raising little lives. Her mother did the same with Liz and her siblings, and now Liz has already begun discovering the creative and cultured nature of her own little human. The beauty that peeks in through the wildness of life here is stunning. Enjoy!


Name: Elizabeth Barrett Groth

Profession: Scenic/Costume Designer

Parent Status: Jo, 5 months


What surprised you:
What was really surprising was how physically demanding pregnancy was, almost right from the very beginning, and how it limited how I worked. I had awful morning sickness (more like 24/7 sickness) at first and it was crippling- I did not want to barf on the bus or the subway! And as summer and my pregnancy progressed and I got bigger and bigger I found myself doing something I never thought I would, turning down job after job. With low budgets and no way to hire assistants, I just couldn’t work physically the same way I did before. I couldn’t carry my body-weight in props and costumes on my back all over the city on the subway. Schlepping is like, 90% of the job. That realization was really hard for me. So I had to start looking for jobs I could do at home, with less heavy lifting- alterations and sewing work, and I did a bunch of illustrations for an upcoming film. In addition to working in theater, I also give educational tours of The Metropolitan Museum of Art to 4th-12th graders, and luckily I was able to continue that work until about a month before I was due, otherwise I would have gone nuts. I will freely admit I did not like being pregnant. Not many people will say that, but there it is. It was extremely uncomfortable for me, I was so, so happy when it was over. Josephine is much easier to handle out than in.

What excited you:
Feeling her move! She was a little pistol, I first felt her kick at 14 weeks. No one believed me, it was so early for that. But I was falling asleep one night and it felt like a piece of popcorn popped inside me. I was awestruck. We didn’t know our Josephine was a girl until she was born, so I was excited to see what kind of little person would come out of me. So, I guess normal pregnant-lady excitement.

What challenged you:
In pregnancy, the physical aspects. I had huge hip/back/pelvis problems which got really bad by the end. That was tough to deal with, loosing my physical independence. Now, Im trying to figure out how to be a better mom, and I’m very lucky to have a great example in my own mother, a wonderful mother-in-law, and really capable friends to look to and ask questions of. We are fortunate in that my husband’s job can support us all right now, so I don’t have to work, but going from a total focus on my career to being a primary caregiver has been tough. I’m glad to do it, I’m glad I can do it, but it was a jarring transition- one day I woke up a mom and a housewife and I had no idea what to do. I can’t go back to working as I was before, the hours were grueling and I couldn’t even pay for the childcare with what I was making. So now I am currently career-less, which is both really liberating and completely terrifying. Time to figure out a new way to keep creating. Huge challenge.

What you look forward to:
Learning more about her as a person and figuring out her tastes. Traveling with her, showing her more of the world. My husband is English and we are going on our first visit to see his side of the family in late May. I’m really looking forward to taking her to her first Broadway show, her first concert. She LOVES music. She’s very cultured already, she’s a big fan of her Uncle Patrick Groth’s paintings, and went to his gallery show downtown. About a month ago I got to take her for her first visit to the Met Museum, and she’s been back a lot since. She loves modern art, anything really big and graphic. I can’t wait to take her to some of the other museums in town to see what she likes to really kickstart her visual education. I’m excited to hear what she has to say when she starts talking. I’m also slowly starting to rejoin the creative world which is very difficult but makes me feel like a real person again, so I look forward to getting my artistic mojo back.

What you think people should know:
Pregnancy is pretty unpredictable, and so is caring for a newborn. Jo was born in early December, so between paternity leave and the holidays my husband Christopher was home with us for almost the whole first month, that was a huge help to start us off. Even when the baby is on a schedule, things shift and change everyday. It’s both very monotonous (I feel really isolated and brain dead a lot) but it’s also totally different everyday and really fun, which doesn’t make sense at all… Breastfeeding takes up a huge amount of time and is exhausting but very rewarding to me. It’s hard to find time for yourself and your own work when they are so little. I barely have time to do the things I need to do, let alone what I’d like to do. And there’s a lot of pressure to parent in certain ways, or give birth in certain ways. Screw all that judgement. Do what works for you and your family. Don’t pay attention- follow your gut and work with your baby, they are all so different. Take all the advice with a huge grain of salt. BUT THAT SAID-if you can afford it, hire a cleaning lady to come every couple of weeks. Seriously. It forces you to keep things in some semblance of order but also takes the pressure off you to care for the baby and do all the housework and it rids you of any marital strife related who swept the floors more last week. And it’s nice to have a clean bathroom for when you actually have time to take a shower.

Bonus/optional: your favorite mommy-artist story:
My mother is an artist (Mary Brigid Barrett – buy her baby board books “All Fall Down” and “Pat A Cake”!) and when my brother was a toddler she basically toted him around everywhere while my sister and I were at school, she had to. So Patrick sat and played blocks while she worked in her studio, or went to her drawing classes with David Macaulay at Rhode Island School of Design, or hung out in the illustration department when she taught classes at RISD later. So he really absorbed all this amazing art and instruction from when he was tiny. We are all artists in our family, but Patrick is far and away the most talented, and I think his early exposure to it is part of that. He went on to get his BFA in painting from RISD, and got his MFA from the Yale School of Art last year, and has had his work in shows here in NYC, Miami and London. I hope I can do the same for my Jo, who knows what talents she has waiting to erupt.


 

My favorite quotes:

I’m glad to do it, I’m glad I can do it, but it was a jarring transition – one day I woke up a mom and a housewife and I had no idea what to do…Time to figure out a new way to keep creating.

– Elizabeth Barett Groth, Designer NYC

“Screw all that judgement.”

– Elizabeth Barett Groth, Designer NYC

“…who knows what talents she has waiting to erupt.”

– Elizabeth Barett Groth, Designer NYC


What was the biggest transition for you? Whenever it may have been – a while ago, you’re in it, or you feel it coming – don’t be afraid to make time to create or reinvent yourself. You’re already creating something incredible. Keep going.

More profiles coming soon!

If you are or you know a performing artist professional and mom who wants to share thoughts, answer these questions and shoot them to me at this contact form!

What She Looks Like: Christina Acosta Robinson, Actress

I remember traveling by subway across Manhattan then jumping on bus to cross bridge over water to New Jersey to visit my former classmate Christina and her newborn daughter. Christina and I were graduates of the Yale School of Drama and professional actresses already facing the brutal day to day of making a barely-living while pursuing a dream. And there, in her characteristically brave and defiant and elegant way, my friend added to her dream motherhood. I will never forget spending the day seamlessly conversing about plays, struggles, diapers, baby cries and music and more diapers.

I also will never forget feeling bathed in Christina’s radiance as I took the ferry back across the water that night. Still raw, still beautiful, my friend had expanded. When she replied to my request for a What She Looks Like profile, I couldn’t be more thrilled. I have to include her intro, because how else could motherhood be described but with this honesty, contradiction and simultaneous enthusiasm:

Most days I just don’t feel like I have anything encouraging, motivational, or inspiring to say about motherhood. But then I’m like, yeah, this is the hardest thing I have ever done, but I’m the happiest I’ve ever been. What’s that all about?  So here goes my thoughts…I hope it’s useful. Love you!!!

— Christina Acosta Robinson

I found her thoughts absolutely inspiring in their honesty, grit, and belief. I know you will, too. Let’s dive in….


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After a magical performance, Christina Acosta Robinson as Titania at The Guthrie Theater signs an ecstatic young fan’s program while her daughter radiantly mirrors the joy.

Name: Christina Acosta Robinson

Profession: Actress

Parent Status: Daughter, 3 years old


What surprised you:

I had no idea how big I can love, and how strong I can be, how quickly I can become angry, how angry I can get, how loud I can yell, how passionate I can be, how protective I am. And I am surprised at her natural and enormous capacity for forgiveness, how easily she makes friends, how bold and confident she is, how funny and witty she already is. Now that she’s 3 years-old, this is definitely the most fun I’ve had as a parent.

What excited you:

When I was pregnant I was excited about our decision to do a natural birth. I was also excited by the fact that this was the biggest leap of faith that I had ever taken. I knew my health insurance weeks were going to run out before the baby was born, and we couldn’t afford health insurance for the baby after she was born. Thanks to God and Obamacare everything worked out in the end. I actually booked a national commercial in my 7th month–and that was just one of the many miracles that brought us through. My husband kept telling me the baby would bring with her everything she needed. And that’s exactly what happened. It was my first of many ongoing tests of faith.

What you look forward to:

I am really looking forward to her being old enough to bring her to auditions and workshops and rehearsals–because babysitting is expensive! I’ve had to bring her to auditions here and there, but it’s never as much of a big deal as I think it will be. I am always more nervous about bringing her to the audition than I am about the actual audition. Just last week my husband and I each had a callback scheduled at the exact same time. Mine was a very last minute thing–I had 10am audition and they asked me to come back at 12:30. Well my husband brought her with him to his 12:30 callback and ran into a good friend there who was also auditioning. And he graciously volunteered to watch our 3 year-old for a few minutes while my husband went in to his audition. Things always work out in the end. And if they are not working out, then it’s not the end.

What challenged you:

I remember telling my husband, you know, if there were no such thing as being tired, and no such thing as being poor, motherhood would be a breeze. It’s the kind of tired that only parents understand. It is exhaustion to the point of not recognizing yourself and your reactions. If I could apologize to every parent I ever said I was tired to before I was a parent, I would–because I had no idea what I was talking about. The biggest challenge is having a bottomless well of patience while being torturously exhausted. It’s impossible. I put myself in time-out daily. And call on Jesus often.

What you think people should know:

If you want to have children, you really need to have a good reason. If you just want them, that’s not a good reason. If you want them because you feel like you should because your married and that’s just what married people do, that’s not a good reason. You shouldn’t have them because people expect you to, or because you’re pushing 30, or 39, or 42. You shouldn’t have them because you’re a woman and that’s what your expected to do.

You should want kids because you honestly want to live for someone other than yourself. And not in theory, actually live each and every second of each and every day for this person. You should want kids because you are willing to and mature enough to handle the extremes to which only motherhood can push you. You should have kids because you are honestly ready to put them before  everything except God, and your spouse if you have one.

Now, I am not saying give up on your dreams, but if the pursuit of them begins to compromise your ability to effectively guide and nurture your child, then be willing to do what you need to do. You may need to hit the pause button on the career channel. I don’t feel that we have needed to hit the pause button yet, we are making it work, but it is something that I am willing to do if I ever need to. I have said no to many auditions and jobs that just weren’t worth hiring a babysitter for–either because of the role or the money or the distance. It’s actually been a good thing because it has made me more selective about the work I take on, and I like that. My time is more valuable now than it has ever been. So saying no to auditions and offers that don’t really excite my spirit keeps me available to roles that are really worth the effort it takes to make it all work. There is great power in saying no–in being selective. And there is great power in faith–in knowing that as long as you are doing the best you can and nurturing your talents, your gifts will continue make room for you in this industry–you and your family.


My favorite quotes:

I actually booked a national commercial in my 7th month–and that was just one of the many miracles that brought us through. My husband kept telling me the baby would bring with her everything she needed. And that’s exactly what happened.

– Christina Acosta Robinson, Actress NYC

 

There is great power in saying no–in being selective. And there is great power in faith–in knowing that as long as you are doing the best you can and nurturing your talents, your gifts will continue make room for you in this industry–you and your family.

..Christina Acosta Robinson, Actress NYC

 

Things always work out in the end. And if they are not working out, then it’s not the end.

– Christina Acosta Robinson, Actress NYC



What are your favorite quotes? Are you in pause or working through? Whichever it may be, power to you, mama. It’s all profoundly worthy.

More profiles coming soon!

If you are or you know a performing artist professional and mom who wants to share thoughts, answer these questions and shoot them to me at this contact form!

You Are.

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I had no idea how deep, diverse, and specific the worlds would be when I decided to investigate the lives of Professional Performing Artists who also chose to be Mothers with my ongoing series What She Looks Like. Some are in the beginnings of it all, some are in the throws of it, and some are seasoned professionals in both in art and mommy hood life.

As different as the decisions, lives, and disciplines of these many women may be, some common threads run through along the themes of wrestling with doubt, distraction, and division.

Doubt – can I do it. Distraction – am I doing it. Division – should I do it.

Perhaps what makes the motherhood circumstance not necessarily any harder but most definitely unique is that the answers to these questions depend on the responsibility, viability, and volatility or peace of another life. Another tiny, precious, I’m-responsible-for-feeding-you-and-keeping-you-sane-life.

In wrestling with these questions myself, I began to wonder how I would approach them if I were asking outside of motherhood. These questions, I believe, plague any artist – motherhood or not – due to the circumstances of life and the perils of the profession. We ask them when eating out of tuna cans living in rooms that are probably technically a closet in New York City. We ask them when the train is late, the rain melted our makeup, and our headshots still need to be printed on the way to a type-out audition. We ask them when “no” is heard a million times and we don’t recognize the face screaming in the mirror.

So where do we go? What truth do we turn to? 

…And does it still apply to the motherhood challenge?

I recently did a panel in NYC for a small group of women in media along with two producers. As the only actress on the panel, I was asked a specific question by someone in the audience on behalf of a friend of hers. This friend had been wrestling with receiving no acting employment in NYC yet still felt absolutely obligated to stay there, fearing that jobs outside of the city would remove her from opportunities. The question was, “what should I tell my friend?”

This question was assuredly too loaded and too distanced to provide a specific career strategy on the spot, but what I did feel convinced to offer was rooting out the underlying fear. I began by admitting that staying or going will each have their pros and cons pragmatically speaking, but the decision to stay or go should never be based on fear, or the work will be too. I continued to say that too often we convince ourselves that our value, status, or existence as artists depends on a career trajectory, feeling, or even – as in this case – a location. We cannot forget that art exists other places. Indeed, art exists all over the world, and if we convince ourselves that art only exists in New York City, or art only exists when I feel connected to myself, or art only exists when my work is a success, art will die as much as it lives, for all of these reasons die out of season, and if taken as a foundation, we fall, for none of these foundations is firm.

I recall that story because it resonated with me as I struggled to find a firm foundation for my art in the conversation on motherhood-in-the-mix. I have absolutely believed to my core, in the deepest parts of my soul where knowledge begins, that motherhood is a cohesive and complimentary catalyst to the world of art. My entire purpose of challenging how mothers in the arts are treated and the questions that pop up in our minds during struggle is to address the fear that intends to silence the knowledge of this fruitful collaborative catalyst. And, in silencing that fear, allow my art and motherhood to stand interconnected on a firm foundation.

The two words that have come to me to form a foundation: You Are.

First, a few things you are not. You are not your location. You are not your booking rate. You are not the decades that have passed since you performed, wrote, made that whatever.

You are not your multi-tasking skills. You are not your perfectly and imperfectly balanced nut-job schedule. You are not your lack of groceries in the fridge.

You are an artist.

This fact of existence goes where you go, whether any other element of the universe is in place or not. It lives when your connection feels dead. It gives no two shites about successful career trajectories. It is who you are before you knew you were. It is the Truth about who you are. What you do with that truth is what we call the Work. How you judge the work is any of those things you wish it to be, but it is never you. Though the judgment may touch the work, touch the timeline, touch the failures, it cannot touch You if you recognize the distinction. You are an artist. I don’t care if you’re literally elbows deep in tiny human feces, only have a resume of sandwiches recently made, want to sleep more than sing or feel stretched mentally, physically, emotionally and spiritually, all those traits are traits of the artist. Because she is you whether you feel her in there or not.

The reason I say this is because whatever your current declared profession or location or desire as you raise little lives, whether you’ve paused, totally stopped, or are pursuing your dream, that truth doesn’t go away. Whether you love it or hate it or haven’t thought of it in years, it stays. And do with it what you will – feel the tickle of it trickling up for your attention or hang RIP on its nose or let it shout ecstatically in your inner ear – it’s yours. And if, just if, you let yourself have permission flip off the world and declare Yourself that Artist with fecal elbows, mustard stains, audition sides with coffee and tears from restless sleep, you will be telling the absolute mother-loving truth and standing tall on a foundation that never shifts. DO with it whatever you want. You are an artist.

And now that you know no one can take it from you, you don’t have to waste a drop of energy on doubt, there’s a bit of energy to spare. And now that you know distraction can’t take it from you, there’s a bit of power there. And now that you know division can never separate you from yourself, there’s a bit of ownership there – Wherever we go, whatever we do. And if we answer the “can I do it”-“am I doing it”-“should I do it” from the standpoint of this Truth, we reduce potential for regret, because our answers will come from a place entirely ours: one of energy, strength, and ownership – whatever our decision may be.

What She Looks Like: Maria Bella Jeffers, Cellist

Here’s the next installment of performing arts professionals who prove that motherhood works beautifully in our unique lifestyle while also being honest about the logistics that come with the exciting combination of life, love, and art.
I first met Maria while working on Broadway for the Tony-nominated play King Charles III. I was covering three actresses and Maria played the cello for the two-piece live orchestrations that contributed the live underscoring throughout the entire show. Basically, mamas just killing it. Six days a week we showed up, ready, and part of a fantastic creative team. Maria’s daughter is the third generation of performing artist upbringing – Maria includes her own experience of growing up under her mother’s music. Looks like it had a stunning effect on her to me!

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Maria Bella Jeffers. Cellist and Performing Mama, NYC.

Name: Maria Bella Jeffers

Profession: Cellist
Parent Status: Daughter, aged 21 months


What surprised you:

SCHEDULING! I had no idea that scheduling a free-lance life could get that much more complicated. My husband is also a freelance musician and we had to consciously make the effort to talk about things other than scheduling after the first 5 months.

What excited you:
Creating a person!!!! The magic of a tiny human being is unlike any other kind of magic and I was so ready to marvel and love.

 

What challenged you:

Finding time to get work done at home. The business side of our profession and also basic home maintenance became things to schedule.

What you look forward to:

Date nights.
Work I love.
Time with my little girl.  
That order is interchangeable.
What you think people should know:

That being on top of it is crucial and so is commitment to being flexible. I also happen to think that getting too deep into the internet about any topic on parenting can create stress. We are all intelligent, caring, educated folks and our babies are designed to survive and learn.

Your favorite mommy-artist story:

I think the hand-offs of our little girl from a person with a cello to a person in a tux carrying a bass trombone are pretty wild. It has happened fairly regularly.
Also, I am the daughter of working musicians and grew up under the piano as my mother taught voice lessons. I would color in the pews while my mom conducted her church choirs and I would insist on being at her feet in rehearsals. I liked being able to see the whole chorus sing. I also saw a male conductor on TV and asked my mother if men were allowed to conduct. 
I love that so much….

My favorite quotes:

That being on top of it is crucial and so is commitment to being flexible…We are all intelligent, caring, educated folks and our babies are designed to survive and learn.

– Maria Bella Jeffers,  NYC Cellist

—-

I think the hand-offs of our little girl from a person with a cello to a person in a tux carrying a bass trombone are pretty wild. It has happened fairly regularly.

– Maria Bella Jeffers,  NYC Cellist

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Maria Bella Jeffers. Cellist, NYC. Killin it as a mom in between strings.

 


Did you see adult artist parents growing up? I did. And it made a huge impact on my bravery.

More profiles coming soon!

If you are or you know a performing artist professional and mom who wants to share thoughts, answer these questions and shoot them to me at this contact form!


 

What She Looks Like: Melissa Trn, Designer

Here’s the next profile of an amazing artist and mom who took the time to share a few of her thoughts. (If you missed it, the first profile is definitely worth checking out too on Stage Manager Jenna Woods!) Melissa is gifted and strikes a really special cord describing the importance of including our kids in the beauty of what we do. She offers her thoughts on working in this demanding profession with a toddler full of life and what that brings.

I love how she articulates the synchronicity between the principles of motherhood and the passions of the arts. I couldn’t agree more.


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Melissa, Brett, and Sylvia, taking over LA. Family style.

Name: Melissa Trn

Profession: Scenic/Costume Designer, Los Angeles
Parent Status: Sylvia, 4 years old

What surprised you:
I did not think I would be able to continue working as much as I had been with Sylvia in tow. But it was surprisingly easy to bring her along. People were surprisingly open to her presence and she was surprisingly able to go with the flow. 
What excited you:
Getting to introduce Sylvia to a world that I love is so special. I love that costumes and makeup and the stage and performing are all so “normal” to her. The community of the theater is such a natural place for a child. Open. Free. Creative. I love experiencing that together.
What challenged you:
I have always been a “yes” designer. Say yeas first and try to make it happen. My first love was theater and for a time, it was the main focus of my life. But when Sylvia was born, she became my priority. Sometimes  now I say no when I would have been happy to say yes. No I cant stay until 2 am to paint that. No I cant spend countless hours doing that show for free. No I can’t go to NYC or Florida or wherever for weeks at a time. I get frustrated at myself because I think, “Does this split focus compromise my career? My art? My willingness to say yes?”. There is now just a limit to what I will do for my art because there is not a limit to my focus on Sylvia.
What you look forward to:
Sylvia started preschool this year and although I treasure the amount of one on one time she and I have had, I am so excited to have more and more time and freedom for myself. I have taken on more projects recently and am enjoying the frenetic business that I used to love.

What you think people should know:
A child doesn’t need much. But they need us. They need us to be whole people with loves and passions and hobbies, and desires, and dreams…how else will they be those kind of people? I think Sylvia and Brett and I have only benefited from the interconnectedness that we have between our home life and careers. We understand each other better. There isn’t a side of us that Sylvia has not witnessed firsthand, and so we know each other.

My favorite quotes:

A child doesn’t need much. But they need us. They need us to be whole people with loves and passions and hobbies, and desires, and dreams…how else will they be those kind of people?

– Melissa Trn, LA Designer

The community of the theater is such a natural place for a child. Open. Free. Creative. I love experiencing that together.

– Melissa Trn, LA Designer


How do you share your profession with your family? What’s your favorite quote?

More profiles coming soon!

If you are or you know a performing artist professional and mom who wants to share thoughts, answer these questions and shoot them to me at this contact form!

What She Looks Like: Jenna Woods, Stage Manager

Not all performing artist professionals have kids, and that’s cool! But some do. What does that experience look like for such an unpredictable lifestyle? That’s the question I want to explore. So, in honor of mother’s day, I’ve started a series called “What She Looks Like” that profiles performing artist professionals who balance work and motherhood! I’ve asked a few of the performing arts professionals/moms I know to share a brief profile of their stories.

The first amazing lady is Jenna Woods, a professional stage manager in NYC who I’ve worked with numerous times and know her extraordinary work and have followed her pregnancy journey via Facebook. Here’s a sneak peak into her world! Check out her thoughts on what she thinks people should know and how spreadsheets come into play.


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35 Weeks and Rockin’ that Headset. SM Jenna Woods

Name: Jenna Woods

Profession: Stage Manager

Status: Due any second


What surprised you:

In the first two trimesters, I was surprised that more people didn’t visually notice I was pregnant. I felt like my shape was completely different, but no one noticed my tiny bump as much as I did! It was almost a little disappointing not to have the conversation starter when I was so excited about the news. On the flip side, there were certain times when I didn’t want anyone to notice, mainly in rehearsal where I didn’t want to be a distraction.

What excited you:

I was and am excited to talk to other moms in the theater industry about how they cope with their pregnancy and baby care. Our schedules are widely different from the “normal” American family, and often creative solutions need to be found to deal with evening baby care, where to pump, etc.

I am also excited to take a break from work in order to start a new “project” with my new baby. In many ways getting myself and my husband ready for baby’s arrival is much like prepping an event where I plan as much as I can, and then use that information to roll with the punches when the big day arrives!

What challenged you:

It wasn’t until my third trimester that I felt less physically able than usual, but when it hit it was frustrating. I’m used to being a very active and able person, so slowing down and asking others for help is a challenge. Now that I’m in week 34 and much bigger, I find that others offer help before I ask, so that makes it a little easier. But getting off my feet at work in particular is something I have to consciously keep reminding myself to do.

What you look forward to:

I look forward to meeting our little one and finding a “new normal” in our family. My husband is a stagehand and also works freelance with strange hours. Balancing our new responsibilities with our jobs will be interesting and likely a constant conversation, but I’m looking forward to making it work. We both love our careers and the freedom it gives us to plan days off or vacation time together, so making it work is worth it.

What you think people should know:

There is too much made out of “baby brain” regarding pregnant women. I haven’t had many problems at all with memory bumps or confusion, but many non-pregnant people expect that from me and it undermines my authority as a stage manager.

Bonus/optional: Your favorite mommy-artist story

I have several other stage manager friends who are pregnant at the same time as myself, and it’s been so fun to share stories and experiences. Also true to our stage manager natures, we’ve been sharing great mommy organizing tips and spreadsheets with info on baby projects!

 


 

My Favorite Quotes:

“In many ways getting myself and my husband ready for baby’s arrival is much like prepping an event where I plan as much as I can, and then use that information to roll with the punches when the big day arrives!”

– Jenna Woods, NY Stage Manager


“There is too much made out of “baby brain” regarding pregnant women. I haven’t had many problems at all with memory bumps or confusion, but many non-pregnant people expect that from me and it undermines my authority as a stage manager.”

– Jenna Woods, NY Stage Manager


How are you treating your resident pregnant professional? What’s your favorite quote?

More profiles coming soon!

If you are or you know a performing artist professional and mom who wants to share thoughts, answer these questions and shoot them to me at this contact form!

How to Nurse While Running in NYC!

An Actor-Mom’s Guide to Transparency

When it comes to my work, I would probably break out into hives if I’m not in the space at least 10-15 min before the clock. The few times I haven’t been in early, I’ve tried to block out of memory like a trauma. I got caught in traffic once before a show and almost vomited all over the bus. I had a chaotic subway experience during tech week for a show in DC and resorted to walking an hour each way for previews and the rest of the run just to make sure I could control my time (great way to stay warm to though!). I will go to great lengths to ensure that I’m in a room where I can focus. I found that my willingness to sacrifice, however, does not have to be over-costly when there’s a group of people ready to collaborate – even when the support I need may be unconventional. Even if that means part of rehearsal is me running down the sidewalk with a baby latched to my body.

It happened like this. One of my dreams was to be a part of a theater company. A group of actors that collaborated on original work fueled by nothing but passion, relevancy, and inspiration. The dream came true when I joined a company of actors under the direction of one inspiring female writer/director and her team, and we rehearsed on our own time in rooms throughout the city, deconstructing and piecing together an incredible, original work based on Shakespeare’s women in the War of the Roses.

I played Joan of Arc in the company’s piece – a dream role – and I had long been connected to this project via readings, but for the first time ever we gathered as a team to rehearse and perform the piece as a staged workshop in New York, complete with moving elements and fully realized stage combat. Yay! ….Cue the welcome-to-mommyhood logistics: it was a few months in to my baby’s life, so she and I had been traveling as a pair for quite some time (first audition took us on a train together at 5 weeks old where in-motion diaper-explosions became a new learned skill). While the Margaret workshop offered me more infrequent scheduling to make it doable, each rehearsal and show day required not just lines worked, choreography memorized, scheduling finalized, and money (tightly) budgeted as always is asked of an actor, but also roundtrip bus tickets from another city (times two), travel smartly scheduled around both arrival and naps, multiple meals packed, diaper bag stocked, stroller and baby carried, babysitter scheduled and confirmed…and rescheduled, and an affordable location scoured in NYC for baby and sitter to stay while mommy pretended to be a historical-female-knight saving France. (Thanks, mom.)

I was in it to win it. I loved my baby and I loved Joan of Arc, and – somehow – taking care of both of these gifts had to be possible. I even discovered similarities between my baby and mademoiselle la pucelle…such as their strength of will. With the conviction of Joan refusing to bend a knee to any foreign king, my powerful and precious babe refused to bend one quivering lip to a bottle. Ever. (Of all base passions, bottle-drinking is most accursed!!!!) Ok, ok, I get it. Proud as that exercise of power will always make me as a mother, a few complications arose in regard to rehearsing and feeding…such as timing and location. She needed to be hungry on my 10 minute breaks, and I needed to be close enough to get to her. (At this point in her feed cycle – TMI warning – 10 min feeds were enough because the milk production was so high and fast, as verified by our nurse consultant. Girl could drink.)

With the demands on my body with rapier, dagger, and staff came balancing the demands of speed, efficiency, and milk ducts. The full immersion into parallel but different worlds required laser focus and total investment – something actors need to exercise all the time. The intensity of the experience highlighted for me some key lessons that grew my acting and, at one point, fed my baby on the move.

1.The Task: Stay in the Room.

This phrase gets thrown around a lot in grad school, mainly because we have multiple shows rehearsing all at once. The phrase revisited me at one of our earliest rehearsals by pounding painfully through my body to the rhythm of breastmilk threatening to break out of what felt like every pore in my torso. As the seconds counted down to our break in rehearsal, milk didn’t miss a cue, so my mind and heart had to listen with every bit of strength not to miss a crucial note, reaction, or adjustment to the text we just rehearsed. On the flip-side, as soon as 10 was called, my body had to spring into action and exit physically – and mentally – quickly enough in order to make it to the baby who needed me in time to get in a good feed before heading back into the room in time to kill some English scum. Great. Simple enough. The only way to do either of these things well was to focus on them one at a time.

2. The Objective: Be Private in Public. 

A crucial planning mistake I made at the beginning here was thinking a few blocks was a travel-able distance. I didn’t account for the building elevator, slower physical body (yes, it really hurts when fluids are literally bursting through your skin, making your flesh rock hard), and people traffic. I had wasted precious minutes with this poor planning. When I reached my baby, she was unhappy, I was behind, and I already knew we would have to move out quickly – I could take a few minutes of rehearsal time, sure, but I didn’t want to worry about the trip back while I fed her…I also refused to deprive my baby of a single fractional ounce of food. So I made my move. While latched. I took off out of that coffee shop like a bat out of hell. Nursing cover blowing in the wind like a cape, action music playing in my head. Sidekick superstar sitter and friend of over a decade running by my side, baby carrier in hand. All of NY passed on numerous blocks as we tore down the sidewalk dodging pedestrians in the suits with cell phones witnessing the getaway of a dynamic duo and their precious cargo, tiny stockinged feet peeking out of blankets with quick and happy thrusts. Baby never missed a beat. Her drinks matched the rhythm of my feet hitting the concrete – a pace always safe, but fast enough to span the space. My heart raced and the cool wind hit my stomach. My loose top kept me from getting arrested as it casually draped over anything potentially revealing. For all the vulnerability of feeding in motion, I felt no shame. My private moment on public display, I cared only about her satisfaction and reaching a place of calm where we could focus. I cared only about my objective and didn’t think twice about how it made me look. I let that conviction pour generously into any searching eyes that happened to throw gaze my way and kept my eyes forward. When life happens, you gotta let it show. This allowance of visibility strangely made me feel strong. 

3. The Method: Be Messy.

We made it to the rehearsal space with hair askew, skin bare, and body gratefully draining its stock. I wasn’t late, but I wasn’t ready to re-enter the room either. For all that work, I had failed. No matter my planning, I couldn’t complete the task, I would need more time, lose precious rehearsal, and need an allowance, and I expected disappointment to set in for the people around me who would show up ready and together – so I thought. Break had yet to completely close, so other actors wandered in with their deli sandwiches and drinks and struck up conversation, kindly accepting my new accessory. The messier episodes of my life teach me the most about art and people and how my perfectionism can give me a false sense of their expectation. And apparently, these lessons come when you’re dashing down a street in the heart of midtown with your nursing cover pressed against your neck and your baby happily feeding on your naked breast while you breathlessly count the seconds with the babysitter to reach the final block at your rehearsal and thank God it’s weirdly warm outside for January because the wind is slapping your mid-drift in an attempt to get your abs to work faster. The lessons come when your director laughs at your entrance, asks you to sit and take your time while you watch the choreography from a whole new (seated) perspective. The lessons come with knowing your baby is ok in your arms while you watch the fight instruction and love every move. You don’t fix your hair. You don’t apologize. When you accept, you listen and continue to learn. So much is off in the image of a single man sitting on a mountaintop as the symbol of wisdom. At least for me. Wisdom is covered in milk and breathing deeply while humbly experiencing acceptance from the people around you. When you’re living and breathing to the fullest, no drop of energy should be wasted on preserving an image.

4. The Safety: Find your People.

As my lungs returned to their calmer pace, I watched the room come together and rewrite the rules of what the the next few moments of rehearsal should be without hesitation or grudge. Each person showed ease in accepting where I was and what I was doing. Their graciousness taught me in real-time what true generosity looks like. With an exhale of relief and wonder, I realized that many fearful questions about how this actor-mom thing would work had burrowed themselves so deeply in my heart that I hadn’t acknowledged them until they were confronted by the generous behavior in front of me. I had been holding on to questions like:

“Would my double-responsibility create a problem for the people I work with? Would anyone find the commitment distracting? Would a few of my special needs make me too much work and not worth the time? How can I make myself seem as put-together as possible and make the extra work invisible?”

These questions could have been answered differently  by a lesser group to negative results commenting on my value if not for the quality and confidence of the artists I had chosen to work with. My questions evaporated like mist as I witnessed life, and rehearsal, move forward inclusively and seamlessly. I was a part of it – and taken care of at the same time. Where I was willing to over-stretch myself, the company compensated willingly. In that moment, I didn’t need to lessen a single thing about myself.

I’ve heard it said many times in our profession that theater is family, but too often that’s said to mean the people who are willing to drink and cry with you. That may not be left out completely, but any shallow acquaintance or sophomoric colleague is capable of indulging in liquor and emotion, hardly a hard sign of real intimacy. Real friends endure discomfort for your betterment. A few steps further, family is willing to sacrifice something of themselves to aid and support a member who’s momentarily over-stretched. A company, in order to be successful, must have all these elements. What I experienced at that rehearsal was all these things and more. The discomfort for my betterment, the willingness to sacrifice, give aid and support, and beyond that – gladly and willingly – lead me to embrace unapologetically the gift they gave. I was able to hand my happy and sleeping baby into open and caring arms of a sitter while stepping into open and caring arms myself as I re-joined my friends in the fight – all with a changed confidence I hadn’t known before: I had let people help me. For all the casts and classes I had been a part of, it was in this embrace that I found my people. And the art we made was great. What I had hoped for in being a part of a company was growing as an artist. What I found was a family that helped me grow larger than my insecurity. 

5. The Closer: Thank the Crew.

God bless my sitters. And every nearby coffee shop, diner, block, and spare hallway or room in the rehearsal space where they rocked, strolled, and played with my little one while I visited, fed, and returned to no-pay stage-blood letting. Trust me, more on them later.

 

Woman Behind the Table

I remember the first audition I came out as pregnant. I had been auditioning for months in flowy tops. My personal aesthetic of yoga pants and hippy tops lent itself beautifully to the physical transition. For a while, there was not much to conceal anyway. I accepted auditions by keeping in mind performance dates that wouldn’t conflict with the upcoming birth. Five months in, I let out the big news with caution to a surprisingly enthusiastic and supportive agent who proceeded to shout it with joy to the rest of the office. I blushed. I assumed “practical artist mom” strategy and encouraged him to only tell artistic staff in auditions on a “need to know” basis – for me it was to maintain control of my personal narrative. I had visions of the pregnancy news dominating any mention of my name, obliterating the potential for referring to me in a strictly professional context. I didn’t trust the artistic community not to overwhelm my public identity with the small detail of procreation. Besides. This was mine. My business. And that’s ok. I liked it that way. He complied, albeit a bit confused, and about a week later I embarked out to my next audition, assuming they had been told…

I marched confidently into the room, my top less flowy, boxy, perfect for the pants role. I moved athletically, let my body bend and ebb, and after nailing the first scene, I glanced over to the table of wide-eyed director, NY casting director, and local casting director:

“Rachel, that was great. Yeah. But. Uhm. Can I ask. Are you. Pregnant?”

The words sputtered out from the NY casting director. Her words held less judgment, more shock. “Surprise!” my body beamed back, “Brought my own GUEST-STAR…Hope that’s OK.” My stomach continued to shout through my shirt while my brain and mouth made a clicking sound or two. Scene forgotten.

I knew it. Distraction.

My fears were beginning to materialize. I needed to get the room back on track. I knew how to focus with another body growing inside me, but I didn’t know how to get everyone else to do it. It was my business. I was ok with that. No one talks about the loneliness of pregnancy. I had been a creature fueled by it. I had loved every moment of the intimacy, the privacy. Once it’s shared – you can get…protective.

While I’ve never felt more physically myself than when I carried around another literal human around in my torso,

I didn’t trust other people to see my new form as acceptable right away.

I stood my ground, ready to stand alone. My business. My happiness, in spite of it all, couldn’t be squashed. I never regretted letting my own personal victory and joy determine the course of a room before, and today was no exception. I felt a proud smile slip onto my face and a warm pulse run over my belly skin, “Yeah. Thought my agent may have told you!”

Ready to take on the next scene (or get kicked out of the room – you never know – it was my first time), I saw the NY casting director, a woman, burst into a huge smile:

“CONGRATULATIONS!!! No!!! He didn’t tell me! How exciting!”

The local casting director joined her,”You look amazing! How far along??”

Before I could gleefully hop on my float in this feminist pride parade that erupted before my eyes, a gravelly voice ripped through the conversation.

“Yeah, but could you do it?”

We women celebrating in the room felt a pause as pregnant as I was stomp on our exchange with an elephant-like defiance. Slowly, our heads turned to the end of the table. There, arms-crossed, the aged director furrowed his eyebrows like shut curtains shading his confusion.

I had to ask, “Do….what?”

“The show. But could you do the show?”

A beat. I blinked three times to clear my mind and reset. I made a mental check list of things that typically happen to you after you have a baby; decapitation, illiteracy, and vocal distress didn’t jump out at me right away. Those couldn’t be it. I did quick math. Two months. “I’d have two months to recover,” I found myself saying. (In case I was wrong about the decapitation part).

“Yeah,” he drawled, “But will you want to.”

Now on pace with his line of questioning, I readied myself again to stand alone, defend myself alone, remembering, My. Business.

“I believe I would–” – and just as I had resigned to chalking up the initial support in the room to premature luck, I was joined by other voices again:

“Of COURSE she would! She’ll be fine! PLEASE. I cast [actress] in Ragtime two weeks after she had her baby, and she was incredible.” The NY casting director couldn’t throw her hands up fast enough. She turned to face me and assign to me the leading pronoun, “SHE’ll be fine.” The vote of confidence was punctuated by genuine pride, and the local casting director erupted in unflinching agreement:”Yes!” End of discussion. The director tried to mutter “You don’t know until you know,” but I think he sounded foolish to himself even at that point, so allowed his voice to trail off and went back to what he knew:

I was asked to do the next scene.

Justice is sweet. I began the text, and the narrative of a girl with a secret in disguise trying convincing her partner not to judge her by appearances – and that was just the text. The parallel sifted through each heart in the room. After doing the second scene, even the director was won over by the story, and he engaged with me on the character, my thoughts, and small adjustments to the piece. It was a beautiful, regular, electric audition. I was an actress again, just one who happened to be growing another person in her belly. It took a woman behind the table to help make clear to everyone in the room that that’s all actresses are anyway. So what are we so worried about?

Actors are just people who grow other people in their bellies. 

On that day, I received confirmation that the conflict I feared was not between my body and my art, as the cultural pressure would have me believe. It was between my internal understanding of “capable” and the lack of understanding I felt from the other side. People talk a numbers game when discussing female statistics and absence of women in superior roles, but from a personal standpoint I cannot emphasize enough that I’ve never felt more supported than when I was ready to stand on my own but found support instead from a woman behind the table who was able to see a different form and – instead of being afraid – label it “capable.”

I cling to this memory and its principles because I want it to haunt me when the artist in me is challenged by other evolving forms – age, disability, distress, distance, or grief. It motivates me, no matter my circumstance, no matter my condition, not only to dig my heels in deeper when stepping into the room, but to make it My Business to find my own tables to get behind.

Don’t let changing your form in any way, including something as preciously normal as giving birth, make you doubt that you are capable. The problem isn’t you. So much of that belief or doubt has to do with who we have behind the table.

How much can our art change if we let our own physical forms evolve too?


Epilogue: Largely pregnant, I very late to term came across a director whose exchange with me was “How far along? Oh, great! I did my first play back when my twins were three months old. It went great. Don’t let anyone tell you otherwise. How about we try the first scene?” Done and done.

Let’s add that to the notes, shall we? “Don’t let anyone tell you otherwise.”

 

 

How to Change a Diaper on a Moving Train

How an auditioning mom prepares her auditioning-focus.

This lesson came early on while on my way to my first audition post-birth when Biscuit was about 5 weeks old.

The problem-solving I used in the infant catastrophe should have been a distraction to the audition shortly afterward, but in fact it liberated my mind to deliver some great work. Below are the steps to changing a diaper on a moving train, that – much to my surprise – translated beautifully when stepping into the room. Apparently, a little poop and movement was what my process needed that day. Who knew?!

How to Change a Diaper on a Moving Train
Level of Difficulty: High
Skill equivalent: Bomb-Squad Diffuser
Soundtrack: MI Theme Song

Supplies:
Baby (ideally <20lbs.)
Car seat/carrier (not required by law but always recommended for safe train travel)
Baby Poop (lots)
Diaper (dirty)
Diaper (clean)
Wipes
Nursing Cover (replacement: jacket/sweater/magic cape)
Diaper mat (optional)
Moving Train
Haters (lots o’)


Imagine with me: you are enjoying the peace and quiet of a train car. Baby beside you, sleeping peacefully. Strapped in safely. Out. Hooray! you think, Infants are easy! Just as you gently open the crinkled, stained, and much-loved audition sides, ready to emote with artful calm, a blaring alarm goes off. This freakishly powerful wail comes not from man, machine, or beast but babe. You turn in your daughter’s (son’s) direction to see the redness in her cheeks, the pain in her gut: she needs a change, and soon, or in no time flat her wail will escalate until she’s full-blown belting Verdi’s La Forza Destino*, and – unfortunately for you – not everyone on this speeding bullet is an opera fan.

What started as the perfect opportunity to prep through text work and silence quickly evolved into an opportunity to prep through engagement. (And needing to engage now, before the growing stench paralyzes every muscle in your body except your gag reflex and the people aboard grow wild enough to toss you and your suffering child onto the passing platform…in New Jersey. And no, there is no silver lining for that.)

Like any good artistic venture, this real-life demand illustrates that silence and calm isn’t always afforded to moments of productivity, and the only way you’re going to get through this is if you get to work.

1. Forget Everyone Else
Saving everyone else from the discomfort of a crying baby will only distract you from doing your best for both you and your child, resulting in no one’s happiness. Instead of imagining the surrounding panic, judgment, and potential for failure, focus on your partner in this epic Poopsplosian: your baby. He or she is bumping and moving in a pool of filth, and only you have the power to clean it up, leading to everyone’s happiness. This is your life, your task, and your love, so what does anyone else’s judgment have to do with any of it?

2. Ready Your Materials
As much as you want to dive in and start fixing things, you will be so grateful taking a few seconds to get your ducks in a row. Like when dealing with a good script, start at the end and work backwards; pull out the doggy-diaper bag and flap it open, tucking it to your side open-side up. Prep yourself; put on the nursing cover to create a canopy if you so care to protect your baby from view. Unlatching the bottom of the straps, gently slide the clean diaper under the clothed bum. Place wipe case on lap, open, and pull first two wipes, lay loosely on top of case. It works out so smoothly with these pieces in order. When the time comes to act, a great performance often comes from great preparation.

3. Act with Abandon
You know how to change a diaper, so once you drop the haters and have your tools, the only thing left for you to do is claim that confidence. These steps are the same as at home. The scenery is just….faster. So breathe. You are still the authority in this situation. For extra modesty, drape your nursing cover over bottom half of baby and proceed with change through peep-gap up top. While the chest clip can stay in place, keeping it away from chin, unsnap onesie and tuck up around baby’s waist. Gingerly un-velcro dirty diaper. Left-hand on ankles, right hand grab wipes, go. Short wipe-spurts are bad technique. Smooth and confident brush strokes cover-well the canvas. Deposit dirty wipes into dirty diaper. Second-guessing is only going to waste time here. 

4. Get Rid of the Sh*t
Rolling wipes and diaper into a ball, gently ease them out from under the bum. Be sure to secure the diaper closed and drop it into that sweet little doggy-bag next to you in order to best move forward. With all the poop safely wrapped without a chance of flopping out or spreading, you can focus on re-wrapping the clean, happy bum in diaper and onesie. Re-close the bottom straps. Tie up bag. Remove nursing cover (extra flourish like super-hero cape an option) and let the world marvel at your magic. Sometimes we try to wrap up the task while also getting rid of the problem – this can cause spillage and contaminate the victory. The victory is sweeter when the task’s garbage is given the attention needed to tie it up early and get it out of the way so you can seal the deal without any spillover. Whatever is stinking up your process – discard it immediately. 

5. Feel Great
As your baby calms into a lull of bouncy purrs with bottom lip out, slowly learning that life has drastically improved thanks to your super skills, your task is simply to exhale the adrenaline in your system. That adrenaline is a wonderful thing. It’s what fueled your speed and focus in steps 1-4. The temptation is to allow the space created by exiting adrenaline fill with self-consciousness because of the amount of bodies that just witnessed your adventure. Again, I refer you to Step 1. Replace self-consciousness with victory. You gave yourself to the task. You took extraordinary care of your responsibility. You creatively problem-solved in the midst of very human chaos. What a gift! As you let go of what’s transpired, exhale that adrenaline and also be sure to fill the space it left with your personal victory. You will be amazed how creating a habit of that personal victory will become an inspiration to you the next time you’re asked to step back in, an affirmation that yes – you indeed can do this thing.

See? You’re more ready than you know.
Now, go get it, mama.


*Biscuit is insisting that I add the footnote that she is a highly-communicative baby and rarely screams – truly, I can count the number of times on one hand. One of “those” babies. She’d also like me to add that her opera of choice for the situation would be Mozart’s Requiem anyway.
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